Robert Spiess


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ROBERT SPIESS (October 16, 1921 to March 13, 2002)

Robert Spiess published his first haiku in 1949, his first of 10 books in 1966. He was the editor of "Modern Haiku" from 1978 until his death. "Spiess [held] to a steady level of excellence." ("A Haiku Path," published by The Haiku Society of America, 1994) In 1988, he was awarded HSA's Special Recognition Award "for a profound, insightful book about haiku" for his "New and Selected Speculations on Haiku," (Modern Haiku Press, 1988). In 2000, he received the prestigious Shiki Masaoka International Haiku Prize ("His achievement in disseminating and deepening the understanding of haiku in English-speaking countries is without parallel.") His work (some as Rupert Spear) has appeared in many publications, including "American Haiku," "Haiku West," "Brussels Sprout," "Cicada," "Dragonfly," "High/Coo," "Acorn," "Frogpond," "Modern Haiku," "Still" (England), "Tundra," "Woodnotes," "Hummingbird," "Southwest Times Record," "American Poetry Magazine," "The Beloit Poetry Journal," "Christian Science Monitor," "The Humanist," "Existaria," "Leanfrog," "Travel," "Mainichi Daily News" (Japan), and "Windchimes." His work has also been selected for books such as "The Haiku Anthology," "The Red Moon Anthology," and "Favorite Haiku." His love for haiku was obvious in all that he wrote about it. His legacy to the haiku community is without measure.

 

 


     wild roses
tarrying beside one
     touched by time
Blue jays in the pines;
   the northern river's ledges
      cased with melting ice
Patches of snow
   mirrored in the flowing stream;
      a long wedge of geese
Asparagus bed
   silent in the morning mist
      the wild turkeys
Winter moon;
    a beaver lodge in the marsh,
       mounded with snow
     the pines on shore sway-
a mallard hen and ducklings
     crest another wave
an aging willow-
   its image unsteady
      in the flowing stream
     winter dusk-
as one, the chirping sparrows
     fall silent in the spruce
     alone at the stream . . .
a single cicada counterpoints
     the silence
the field's evening fog-
   quietly the hound comes
      to fetch me home


Author: Robert Spiess
Editor: Billie Wilson
Translator:

Credits

"wild roses": From "noddy," by Robert Spiess (Modern Haiku Press, 1997); selected for "The Red Moon Anthology," (Red Moon Press, 1997); selected for "Favorite Haiku" Vol. 3, H.F. Noyes (Red Moon Press, Pond Frog Editions, 2000)
"Blue jays in the pines": From "The Turtle's Ears," by Robert Spiess (Wells Printing Company, 1971); selected for "The Haiku Anthology," edited by Cor van den Heuvel (Norton, 1999)
"Patches of snow": From "The Turtle's Ears," by Robert Spiess (Wells Printing Company, 1971); selected for "The Haiku Anthology," edited by Cor van den Heuvel (Norton, 1999)
"Asparagus bed": From "The Shape of Water," by Robert Spiess (Modern Haiku Press, 1982); selected for "The Haiku Anthology," edited by Cor van den Heuvel (Norton, 1999)
"Winter moon":Published in "Haiku West," 6:1 (1972); selected for "The Haiku Anthology," edited by Cor van den Heuvel (Norton, 1999)
"the pines on shore sway": From Spiess Christmas Card (1999); selected for "a glimpse of red: The Red Moon Anthology of English-Language Haiku" (Red Moon Press, 2000)
"an aging willow": Slightly different version in "The Shape of Water," by Robert Spiess (Modern Haiku Press, 1982); selected for "The Red Moon Anthology" (Red Moon Press, 1996)
"winter dusk": From "some sticks and pebbles," by Robert Spiess (Modern Haiku Press, 2001)
"alone at the stream": From "some sticks and pebbles," by Robert Spiess (Modern Haiku Press, 2001)
"the field's evening fog": From "The Cottage of Wild Plum," by Robert Spiess (Modern Haiku Press, 1991)

 


Revised .
Copyright © 2001 World Haiku Association.
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All translations the copyright of the translator.

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